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Agrégation 2001 : image analysis

Responsable : Professeur Marie-Madeleine Martinet

 
Photographic Effects
 

Photographers may emphasise these effects; they may also prefer muted effects.

Michael Langford : compare the covers of two of his books on www.amazon.com

 
Basic Photography: obvious effects Advanced Photography: less obvious effects
  1. contrast between a ‘close-up’ on foreground (a shop sign) and background (a skyscraper reminiscent of a ‘long shot’)
  2. oblique composition

The result is a dramatic effect

uncertainty as to distance
 

Photographs and their subject, eg. sculpture and photography:

 
http://www.henry-moore-fdn.co.uk John Hedgecoe, Monumental Vision
in http://www.bn.com
The documentary photograph shows the whole sculpture in its surroundings, and comments on circumstances and meaning

Hedgecoe’s photograph: an artist’s tribute to another artist in a different medium, an example of photography’s capacity to render the three-dimensional experience of sculpture. This is achieved, not by excess (eg suggesting the surroundings of the sculpture in several directions), but by understatement: only the top part of the statue is shown

The third dimension is emphasised by the light effects coming from the right and thus against the main lines of the statue

 
 
 
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AGREGATION 2001
Image analysis
Landscape & Hypermedia
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