BRIDGES IN THE MIND |
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There was an aesthetic theory according to which perilous bridges across a precipice caused emotion in the viewer, who sympathised with the traveller crossing them at great risks |
refer to the text by Whateley previously studied |
Bridges in paintings served the structural principle of linking the various 'distances' in the landscape |
you may find bridges in landscape paintings (see question on Gainsborough's view of a Bridge in the Tate Gallery website) |
Bridges were in themselves architectural motifs borrowed from imaginary designs, suggesting ideal structures. |
see the idea of imaginary designs ; if you look at the 'Theatre of icons' section, you will find see that this question has both philosophical and visual consequences |